Friday 14 February 2014

“Just waiting for you to talk so that I can” – John Grant
Discussion, so it is said, is of key importance to the academic life. The debate, the flow of ideas, comparison and critique, amongst your peers, is the primary signifier of academia’s importance. Why then do so many academics sit through seminars with the single goal of waiting until they can talk themselves? Comments, less than the constructive development of ideas, are packing crates on which to stand and air one’s own agenda, ideas or approaches. This steering of discussion is not always done with malice: Often people are blinded by the narrative of their own publications and institutional years in defence of arguments. The ability to accept new approaches, or even opinions on old subjects, has been whittled down by the pugilistic stance that they themselves continue in seminars. Others are simply too tied up with their own egotistically driven focus to tear their minds away. At times such focus becomes so blinkered it is as if any divergence of thought away from their own interests would lead to feelings of insecurity that they normally equate to those who remain quiet.
All is not lost for the discussant. With careful balance of whit and respectful play to ego, the speaker can gain valuable reassurance that they have either covered the ground for critical responses, or at least have had their work reflected in the eye of someone else’s agenda: these can lead to valuable changes in perspective. The speaker’s expectation regarding the listeners is unlikely one of engagement with their topic, unless it suitably matches the schedule of those present: in which case the seminar is mere campaigning to those who are already signed-up. Rarely do you find the academic who sits and wonders ‘what is the speaker trying to say?’ - Instead they insist on focusing on correction: ‘What should they be saying?’. The performance of presenting amongst your peers requires skill in story telling: make sure that they sit comfortably, buff their ego cushions and speak softly; grasp their attention with something agreeable and lead them down the road of acceptability towards your slightly shocking, but now obvious, conclusion. Engagement is the key, will they ask questions that imply they have listened, will they want to clarify some aspects that appear vague or will their steel hard cage of academic institutional life keep the speakers own approach from truly being heard?
In this industry of knowledge manufacture and understanding there needs to be a greater focus on the power of iteration and failure. Standardised events for the display of framed arguments are illusions, hiding the real process that leads to the development of ideas. Within such power centred arenas the loudest voice is often the status quo and the new challenging developments can often be silenced with effort. Ideas, theories, approaches and methods all require a driving force to take them from inception to development and application. All great work requires commitment and defence for ‘there is no such thing as an immaculate conception’[1]; but when this industry is driven by the systemic defence of such psychologically embedded projects, how do you remain committed to one idea, without being in some way closed to new ones.



[1] Bourdieu I think…

Tuesday 11 February 2014

Raindrops: Sooner or later one will land somewhere interesting

Raindrops: Sooner or later one will land somewhere interesting

I grasp the bar of my bike with my elbow and settle into the rain seat. After many trial and errors I have managed to find a place to sit down during the one and a half hour journey from Canterbury back to London, whilst still keeping my bike close at hand (in case I drop off) and keeping it out of the way of the doors. It took me a while, but I got lucky in the end.
My eyes droop when someone grasps my attention…
“Can I ask mate… is that a road bike… you see I don’t get it. I have had many bike, I love ‘em, but mountain bikes and BMXs. So… your wheels are bigger…right?”. He stand up as he speaks and sits down in the seat in front of me.
“Er…yeah. They are thinner as well, less contact with the road. Less grip, more speed.” I cautiously say. I love my bike and would hate this to preclude them attempting to remove it from my possession. They nod, lifting their baseball cap of the top of their head showing spots and greasy hair, then replacing it, a reflexive gesture. He fidgets and seems a little uncertain how to respond, they kneel on the chair placing their hands on the back of the seat in front. Two things occur to me at that point: 1, they smell; 2, that it is in fact a woman, or at least a girl of around 16 or 17. Her baggy American style hoodie and ‘pants’ have hidden all sign of shape.
“Yeah…ok… so they are faster, but what about going on mud and downhill”. She constantly moves from knee to knee her hands touching her cap again, or sweeping limp hair from her face.
“Yeah… not so good at that. But I mostly ride on the roads so it’s ok.” I have given up all pretence at sleep. Yeah of commuting at all hours in London have taught me how to spot those people who need to talk, and talk she did.
“I don’t have a bike anymore, I did, but I sold it. Can’t remember what for. I’m just coming back from this team day thing that the councillor said I should go on. It’s all about confidence and that. There was this guy there, he couldn’t even talk and I told him to ‘Get off his ass and join in’. I mean, if I can do it, then he can right. You see my confidence is not that great, you know…. Where are you getting off?” It is like she is already judging the length of her story next to the train ride and wants to speed things along so she can fit it in.
“er… London.” Vague, but specific enough I hope.
“Yeah, right, I get off at Dartford, and we are passing the place where it happened. You can see it from the train. You see I saw a man get shot. Seriously… “ The pause is calculated effect, she wants me to react.
“Wow… what happened.” I admit, I am engaged. I want to know now who this person is and what happened.
“I was just there you know, I was just there on the high street and he was just there and this guy… he came out of the betting place and this other guy got out of a car and he kind of punched him… with a gun. I don’t remember the sound, but it must have gone off, there was so much blood. I remember the guy just shouted at him then got in the car and was gone. Everyone was just standing round like they was in shock or something, but I ran towards him and held him. I shouted for someone to call an ambulance. There was so much blood…” Still fidgeting, but more in the moment now, she takes her cap completely off and looks at it reassuringly, before returning it to her head.
“THERE” she stands up pointing out of the window and down into the street that the train crosses over. “That is where it happened, just there”. By the time I look I see shop fronts flash by before it’s is the train sidings again, all trees and discarded rubbish. She sits back down and fidgets a little.
“I had to go to court… I had to say what I had seen. They say that I am traumatised, suffering shock of the moment which is funny ‘cause I was the only one who did something – Ya’ know. I didn’t really think about it much later when I got my clothes back from the police. They still had blood on.” I’m shocked at that.
“What! They sent them back to you with blood on!?” It seems callous, thoughtless.
“Yeah… it was not until then that I cried. You know… properly balled, like when yer a kid. Thing is, I dunno. I not sure about God or nuthin’ but it was like it had to be me, you know. Like somehow I was there just to be with him, in that moment.” I nod and smile. I don’t know what to say – his isn’t about me anyway.
“It’s just… well… it could have happened to anyone. But it didn’t it happened to me. Why me?!” She keeps talking but my mind is racing, she mentions the course she is on and school, not wanting to live with her crazy mum and the problems she has with anger. I’m like a sponge now, trying to hold the moment all in. It is the perfect moment of research, like a pure interview without direction or impetuous from myself. I try and record the moment somehow, physically emulating my digital recorder in my bag…silent yet blinking.
“Anyway mate… this is my stop. Nice meeting you…”
“Yeah… safe journey.” I stare.
“Nice bike mate”.
“Thanks.” And she is gone. Those words replay in my head: ‘…it could have happened to anyone. But it didn’t it happened to me.’ All I can think of is that it did happen to anyone, and that anyone was her.

Inverted Pyramid Scam

This scam works in the same vein as the story above – for the single person it feels special, real, but seen in the context of the many it is pure luck. It is often reported as predicting the outcome of horse races, but has also been the focus of an ‘Alfred Hitchcock Presents’ feature named the Mail Order Prophet[1].
The process is simple, you choose some events in the future, horse races, political elections, lottery numbers etc. and you write a number of letters to cover all eventualities in the first event. For ease, let us assume there at five events, each with a 50/50 chance. The scam works by you writing a number of letters predicting the future – half with the one outcome, half with the other. The letter will state that you can predict the future and can prove it a number of times. Half the letters will be right and half will be wrong. On the next event you write to the half that received the ‘right’ letter and predict the next event; although half of your letters will be right and half will be wrong.  You repeat this as many times as necessarily until you have a small number of people who are convinced by your prowess at predicting the future. You would then ask them if they want to benefit on this and get them to send you money to gamble on your next prediction, one you do not even have to make.
This trick works because for the individual you have proof that accurate predictions have been made. Your understanding of the process is linear, in that it tracks only your ‘straight line’ path through your own personal history. It has no understand of the entire process but nonetheless it feels special, real.
This is the same process that has occurred at the market, many times people refer to the ‘core’ people or the ‘steadfast’ the ‘stalwarts’ of the market and give them something special, some important role in the construction of the market. In reality the market is just as much created through the loss of many individuals as it is through the mainstay of the select few. 



[1] http://www.imdb.com/title/tt0508320/combined

Friday 3 June 2011

The use of Sound Recordings in Social Science

What is the use of Sound in Social Science?

Can it provide access to alternative data sources? And how should these be analyised?

Or are they purely, rather abstracted, contextualisations? There to provide a 'feeling' of the place to illustrate something more, but without being able to directly signify it??

Below is a 9 minute recording of a walk through part of my research site: East Street Market in Southwark, South London. Its a lovely thing for me to listen to. It is evocative of so much; diversity, sociality, the space and place of the area, the history and of course, my own small role in it. But what does it do for the person removed? Does it provide an image? Is it a strong message of the place?

Ultimately I want to know if is sound recording works... as a piece of data itself.

Thoughts?

(Note: Enjoy my stupid voice at the beginning forgetting where the market comes out!)






Why doing a PHD is like the X-Factor

It appears that I have found myself a new laptop. It is a very small notebook. Far from powerful, far from unique. But already it feels like an old friend that will see me through this great journey that is my PHD.

OH GOD... I sound like I am on the X Factor. I guess, for me, this is my chance, my opportunity to explore the things that have been entering my mind all this time; To understand the theories and how they work with the rest of the world. There is no-doubt that it will be an emotional journey; there will be ups and downs struggles and (hopefully) more than a few successes. I will also be taught much and learn more. I will make friends and maybe even help people, influence local council and governmental organizations: Affect change.

But there will probably be less singing… and infinitely less Simon Cowell.

Tuesday 3 May 2011

Community Council Meetings

I went to my first council meeting the other night.

As I sat at the back of the hall, waiting for my 5 minutes slot to speak. As I sat there it came to me that this might be the place where I become, as it were, a man. Or at least, a real man, an adult. This might sound strange to some, after all I am 33, no sorry- 34, I have a solid partner (although without a ring she will not let me call her a wife but she is, in all but name), a 3 year old son - I even have a pension! But sitting here, sweating and worried about the show of sweat through my shirt on this warm spring evening, I wondered if my professional identity would be born here: 'Dave the researcher', to later become 'Dave the consultant', or 'Dave the academic', maybe one day 'Dave the Prof!' I am soberly reminded of William Sutcliffe's book "Are you Experienced" which I read, suitably, whilst travelling in India. The book's whit centres around 'Dave' a north London boy who wonderfully positions himself in the world with the classic line "It's true what they say about people from South London, they really do have a different outlook on life", mocking the often heard phrase of the green hippie traveller (of which I was one) so prevalent then. In the book he returns from India - having had sex, got ill and seen too many temples, and becomes 'Dave the Traveller' the instant identity through the construction and narration of his past... and here I am doing just the same.

It probably has got something to do with the new business cards I had printed before the meeting: It’s all gone to my head.

The meeting contained a plethora of different juxtaposed personalities; the charismatic councillors, the angry locals, the troubled souls who seem to have missed the point and the over large men who feel that the sandwiches at the back have been made just for him. Maybe that is the only reason he is here. There are more statements than questions, people want to project themselves into the arena more than they want to affect change or influence those in power (or at least in closer proximity to ‘those in power’). My slot arrives quickly and my name, miss spelt and miss pronounced, jolts me out of my seat and I take my place at the microphone.

I am sure I speak too fast, I am sure I was red faced and many didn’t understand, and therefore care, what I said. But before I get back to my seat I have already got one name, one informant for information. By the time the meeting ends (half an hour late and 3 hours after I spoke) I have several more, a few leads to follow and I am positively bouncing with the experience of it. I walk off down the street through an area I would soon know all too well, a place that, until recently, I could not walk down through fear of personal attack.

I wonder through the streets to my bus home thinking about getting a bike to make these trips more fluid (and cheaper). I romantically place myself on the bike, laptop in the bag and my headphones playing back to me a recent interview. ‘Dave the researcher’...

My smile is quickly washed away as two young men throw themselves out of a nearby alley and my heart races and the imagined laptop in my bag vanishes... fieldwork.


Monday 11 April 2011

Representation of a City: Sohei Nishino


Representation of a City: Sohei Nishino



With reference to one representation, performance or text, describe how the experience of a particular city can be successfully evoked through techniques that lie outside the confines of traditional social science method or "objective‟ documentation of urban life.



"Sohei says of his images: 'Through the eyes of an outsider it will be the embodiment of how I remember the city, and a diary of the streets I walk'." (Gallery website 2011)



In order to approach this task with a sense of exploration, as opposed to using a prefixed or already experienced representation, I offered the essay question out on a popular social networking site. I received many different, but all very interesting, suggestions. The one I decided to go for was, handily enough, showing at a new exhibition in a gallery in London (see copy of the image in the appendix – although this small image does in no way do it justice). The image is by a Japanese photographer called Sohei Nishino (28). He names his series of works (currently the exhibition consists of eight cities) the 'Diorama Map'. The word 'diorama' is usually used in reference to scale three-dimensional models of images or scenes and is obviously used here to highlight how the image is to be viewed: as a multidimensional representation of the cities. The maps are created by walking through the city, scouting out locations on foot and taking pictures (over 10,000 were taken of London, with 4000 being used in the final piece). The pictures are then printed and pasted onto a canvas, piecing the city back together "reshaping the city as he remembers it" (gallery website 2011). It is this process of remembering, or as Sohei calls it, re-remembering, that makes his work very reminiscent of Kevin Lynch's Image of the City (1960). The photography involves one month of walking the streets and taking pictures. There is a further three or four months of work to piece the images back together.



Although this technique of representation of a city is by no means objective, we can see how it provides a fascinating insight into, not only a representation of a city, but the process of exploration, of location finding, and also of remembering, of reconstruction of the city from fragmented parts/images and memories, into a complete whole; one that may not be geographically accurate but one that contains an entire city in one place.




"The defining dimension of our urban experience is of how the parts form some kind of complex whole. This is what we mean when we say `Boston', or `London' or `Sydney'. The greatest phenomenologal puzzle about the city is perhaps what we mean by these names." (Hillier 2005:6)



As capably stated above, the inherent problem for urban planners, architects and, in a less applied sense, geographers and sociologists, is the problem with grasping the complexity of modern urban environments so typified by London, Sydney or New York. It is a problem for these people as they all, in one way or another, seek to understand the city so that they might be able to shape its future, limit some aspects and highlight more desirable ones. But such manipulation requires a far greater level of complexity than we currently have. The sheer multiplicity of interactions and social relations inherent within a city make defining it, and therefore constructing, designing and maintaining it, extremely problematic. Without being able to understand how the city forms as sense of identity, or how its connections between parts are manifest, it remains impossible to predict outcomes to a workable level. Throughout this, cities manage to hold a sense of itself that is coherent enough to facilitate communication. When we talk of 'London', we inherently know what we mean, there is no question of a part of London, or what defines it boundaries. Yet although these places are perceived as singular entities, the best academic theories fail to coherently grasp the complexity. A city manages to hold a complete sense of the 'whole', something that could be understood as having a character or identity that is found both within its many fractured aspects, but also indicating a more ontological sense of 'being in the city', wherever you are 'in the city'. But the problem, especially for a sociologist, extends beyond the issue of complex part/ whole relations (that may itself be a problematic dualism) it is also a problem of objectivity over subjectivity. Many social scientists have recently attempted to deal with the problem of objectivity by exploring representations of a counter factual nature; that of subjectivity. These have taken many forms and many have involved photography such as auto-photography and Photovoice.



Diorama Map: The role of Cognitive map making.



The connection this work has to cognitive maps is obvious when you look at the images, and it is reinforced when you enter the gallery. Knowing the importance of the link the gallery hosts map sure as to place an example on show:

http://mapoflondon.uvic.ca/map.php




This early map shows an image dated around 1560 London then is much smaller and does not reach to what is now called the Isle of Dogs. There is a very strong connection between the two representations of London, even though they are some 450 years apart. Firstly we can see that the two images are orientated in basic ways - they are taken from south looking north, as you would expect, and that the river is the central aspect of the piece. Much as the city was constructed the image shows the importance of the river to the people living there. It governs form of the city and therefore forms of the representation. There is a lot of life to the river. It flows with the currents and boats of different sizes travel along its length. So too the Diorama map of London; there Sohei has kept the river alive with signs of people and transportation. Some boats have been cut out of images and over laid onto the river, whilst at other times he places the boat in the context of its bow waves and docks. The horizon flows away at the top of the picture, giving this sense of a perspective boarder, the top of it showing what is now Hampsted Heath and Regents Park, merely extensions of the surrounding countryside in 1560.



Interestingly, and this is harder to make out in this poor image, the buildings are represented as three dimensional shapes, quite the contrary to recent popular maps that are top-down two dimensional images, where buildings are just squares between streets. Here the buildings each have shape and character, although some of the larger and more 'important' have more detail and specificity, the smaller ones are still three dimensional if formulaic. This format is exactly the same as the one used by Sohei. Each street, each area and each location is build up of images of the buildings and the strips of roads that separate them. The majority of the image is made up of these buildings that appear to mould together to form faceless fronts, bereft of a unique identity but somehow being recognisable as 'London', like remembering a face but not knowing where from. The only 'space' on the picture is the horizon at the top and the areas of sky that frames the tall buildings. The comparison to the old map and this new piece is again seen with the importance of the river. Without the river you feel the map would have very little relevance to reality. The river structures the image making it 'feel' more accurate, certainly easier to navigate. The small amount of roads that are highlighted in the image are done so through perspective, and as such have been chosen (it seems) out of the function of the 'straightness' of each – although I am not a driver so the significance of the roads could be alluding me here, but I would say they hold little importance to Sohei either.



As Robert Kitchin explores in his 1994 paper, cognitive maps are re-representations, such as Sohei's images of cities that encompass both an environmental and a spatial aspect of place. Such maps are of 'places' rather than of streets or abstract spaces. These maps are tools of simplification of places that enable people to pass through and guide themselves around these areas. Sohei's piece is, in essence, a very complex and beautifully reproduced, cognitive map. But why cognitive maps are so important and what does Sohei's map tell us that an A-Z does not? Kitchin argues that such maps provide us with information regarding memories, interests and social relations. Not so much a cartographers construction but still used and transposed as an 'explicit statement' that are also analogies, metaphors and hypothetical statements of places (Kitchin 1995:3-4). It is in this very important way that cognitive maps facilitate explanation on decision making processes that help to form behaviour (Ibid.:6). The process of cognitive mapping, although using more subjective and sometimes vague methods, they provide a much better insight into behavioural processes and spatial cognition than previous objective methods. Caught up within the lavish detail of the diorama, we can see the process of subjective construction play out in the selection of images, on those that Sohei expands on, and the subject matter signified by these 'places'.



Sohei's work provides us clear examples of his own process of place cognition and we can see it played out in the selectivity of highlighted 'areas of interest'. During his month long walk around London, Sohei must have gone through a process of selection of locations to visit and then another selection process at the time of construction. We can see the results of these events on the canvas themselves. As you look right to left, or East to West, along the picture, you can easily make out the Dome and new financial area of the docklands. The latter is picked out by surrounding images of sky highlighted again by a slight fish-eye lens. Then moving East along the map the old city and the 'Gerkin' stand out in much the same way. City Hall, tower Bridge, the Tate Modern and the London Eye are all picked out as if from any list of London tourist attractions. With Leicester and Trafalgar square, these could be visited and photographed in a day. But as you get past the globally repeated and recognisable images, there are others that would have made the travels to Japan, but with a more subtle presence. Harrods, the BT tower in the north and next to that Hampsted Heath all appear here highlighted and expanded.



Next to the heath lies an interesting selection: at first it is hard to understand what made him take a snap of people walking across a zebra crossing. Such a ubiquitous image seen all across the U.K., but this image is definitely of a 'place', and, as you peer close enough that your nose bumps the glass of the picture, you see people taking photos of people crossing the road, there are four people crossing in a line - The place is Abbey Road in North East London, sight of the famous Beatles album of the same name. Instantly you understand that a young Japanese man would not visit London and not visit this fabled location; a place Londoners only go with their 'out of town' friends. As a method of analysis of this representation, it would be interesting to design a criteria that would describe when an area has been 'marked out', or remembered by Sohei. Maybe we could argue that a certain number of parts (images or shots) being used to make a whole image would do it. By analysing the picture fully, by picking out each location that had been given a specificity of importance, we could build a picture of what the artist may have seen as important and what, by extension and comparison to a more 'accurate map', he may have seen as unimportant. Further explorations into accuracy could also be illuminating. Would there be a correlation between 'line of sight' and number of photos? Is there a link between the distance he walked to a sight and its placement on the map? How much of this image of London is based on his nationality, how much on the fact that is a photographer or even, perhaps from his repeated expansion of London's tallest buildings, its mighty erections, that he is obviously male?



Humour aside there is an important point to be made here. This representation encompasses one person's memory of an intense visit to London. Much more than a map that prides itself on topographical accuracy, this one tells us so much more about how London as it is seen by a tourist, how it is seen as a man from Japan and how it is represented as an artist. This process could even be extended out to form the framework of a research method. After obtaining photographs taken by a representative selection from a given community (auto-photography) you could ask the collect group to place the photographs together to form a map. Their process of doing so, their agreed highlighted areas and ignored points would be enlightening. You could even do this for a neighbouring community with the same photos and track the process in comparison. Images, and certainly multiplicity of images, often provide much easier tools for communication and representation than words.




Conclusion:



In the representation we have, very lightly, explored above London becomes a place of places. The spaces between are nameless blocks of houses, unrecognisable even to the most avid London walker. But every exploration of place, every location that has time, a moment of recognition and distinction of multiplicity of shots, of perspective and of angle, and often surrounded by sky, each of these places are known well as distinct locales. Each one is a tourist sight, a place of 'interest'. We have indicated how one image of London can produce a wealth of information about how the creator, imagined, explored, perceived, remembered and represented something that is inherently un-representatable. Rather than being a contradiction, subjective explorations of place and space, especially though using visual methods, can be very useful in illustrating complex wholes. Further, we have seen that how we see a city is immutably tied up with how we see ourselves. As social scientists we must understand this process of construction to understand what we are looking at and also, how others might view things differently. As the artist states:



"I am deeply committed and passionate about photography. I believe that photography is a way of looking at the self. Rather than thinking about what I can do with photography, I take pictures in a quest to see what I can become through photography." (Gallery Website 2011)




Bibliography:



Hiller, B., (2005), "Between Social Physics and Phenomenology: Explorations towards an Urban synthesis", Proceedings of the 5th International Space Syntax Symposium, Vol. 1, No. 2



Kitchin, R.M., (1994), "Cognitive maps: what are they and why study them?", Journal of environmental psychology, Vol. 14., No., 1., pp:1-19



Lynch, K., (1960), "The Image of the City", Uni. Cambridge Press, UK



Websites:


Michael Hoppen Gallery Website, Retrieved: 29th March 2011, URL: http://www.michaelhoppengallery.com/artist,show,3,161,0,0,0,0,0,0,sohei_nishino.html



Appendix:



This image has been reproduced from the website: (retrieved 04/04/2011)


http://soheinishino.com/en/works/dioramamap/london/index.html

Monday 28 March 2011

Fluid Places

“Can we understand “place identity” as not only a social construction, but as part of a fluid process?”

“Society does not exist independently of human agency”

(Bhaskar (1989a:3)

This paper will argue that, after Bhaskar’s statement on society (above), that all identity is socially constructed, that all society is formed through social interactions and further, that all ‘places’ are formed through social interactions. It is these interactions that assemble the distinctiveness of place though a never ending fluid process of identity construction of a place or of an individual. Let us be careful not to be too humanistic in understanding identity construction. This is not an empowered construction, consciously undertaken, although such brief moments can and do occur. Rather this is a discursive process; a structuring structure (Bourdieu 1990). The apparent geographic distinctiveness of place, the ‘sense of place’ as it were, facilitates social interactions that are formed through the locality making the identity of the place shift through the very nature of the interactions that form it. At the heart of the argument is that the individual’s very embodied experience of place; in ‘being’ the Place and the Self are both constructed. Through social interactions, place becomes constructed as part of a fluid process.

It has recently been remarked (May 2000, Carter 2007, Antonsich 2009) that there has been a lack of empirical work done on the nature of the relationship between the individual self, or individual identity and that of place or place-identity. In his recent article Marco Antonsich attempts to close this gap in knowledge with the aid of theories from Environmental Psychology. Antonsich hopes to “rescue this personal, intimate dimension...” (Antonsich 2009:119) from the social constructivists that describe such relationships as mere “social(izing) logic” (Ibid.). By this he is referring to a concern of Harold M. Proshansky and his colleagues that place and identity relations are often understood by geographers through an understanding of power relations and political processes (c.f. Keith & Pile 1993, Harvey 1991, Massey 1994). Further, Antonsich attempts to place his work against place-identity just about “[...] embodying various social categories such as gender, sex, race etc” (Antonsich 2009:119). Instead he wishes to understand a more personal, intimate embodied role of place and the Self. Due to inherent problems with cross-discipline work, his synthesis on this theory does not appear complete. What his work does do is bring together two areas of theory in a very complimentary and enlightening way that ultimately provides insight into a complex structure.

In answer to the title question this essay will first take a critical look at Antonsich’s 2009 paper before focusing on just a selection of geographers and psychologists to help understand further the relationship between people and place and how these two disciplines may indeed inform each other. We will then look at the work of Doreen Massey (1994, 1996) on place-identity, Joane Nagel, on the construction of ethnicity (1994) and Edward S. Casey (1996) to help us understand the fluctuating nature of ‘place’ in geography. Then, in order to explore the internalised process of construction of the self and its role in ‘place-identity’ construction, we will look at Proshansky’s et.al work on the Self’s perception of place and its role in self-identity composition.[1] In order to exemplify the arguments in this essay, and by way of directing the work towards future research, I will overlay this theory onto a previously studied ‘place’; Borough Market in South London. A brief description, including a potted history of the place will now follow.[2]

Borough Market is situated on the south side of London Bridge in the borough of Southwark, London. The market holds over 130 stalls selling ‘quality food products’ for both retail and wholesale. In 2006 it celebrated its 250th anniversary and stands today as an internationally recognised market. In its long history the market has changed many times. Historically it was purely wholesale until the ‘supermarket revolution’ of the late 1970s. In 1996 the Board of Trustees, who oversee the market’s direction, decided to change the focus of the market to high quality retail in an attempt to save it from total demise. Coinciding with the rise of the ‘foodie’ and TV chefs throughout English culture, this change proved very successful. The market consists of four separate areas; two covered speciality foods from across Europe, one stall area for UK producers and one area for its continuing wholesale trade. The market is currently undergoing drastic changes as SouthEastern Rail extends their lines running from London Bridge to Cannon Street. This has closed one area of the market, knocked down several front shop areas. Importantly, rather than damaging the market, as many feared, the rail company have provided an increase in space for the market to operate. The line has also removed shop fronts that have vastly improved the markets high street visibility. What is being described here is a ‘place’ that holds both a sense of geographic specificity whilst at the same time is a completely changeable, adaptable form. Before looking to how people understand how people sense the market as a distinct place, we must understand a little more about the markets history.

Although the official line from the market’s Board of Trustees is that it is ‘over 250 years old’, it is actually possible to trace the history of the market in the area to long before this. But accepting the trustees’ statement the market’s stalls and areas have still changed depending on internal and external forces (much like the new SouthEastern rail line alters it today). Its own internal structure of simple stalls and the people to work and visit there, allows the market to be highly adaptable. It is not tied to one building, or one street. As a wholesale market, Borough opens around 3am and closes by 11am Monday to Saturday. But the main retail market does not open until Thursday – Sunday. So depending on the day of the week, and the time of the day, the physical location of what we call ‘Borough Market’ changes. We are now beginning to understand the market as a fluctuating concept one that changes; not only through the decades and years, but through months days and even hours. Importantly, to Social Scientists, how the market’s identity is perceived changes just as rapidly. On busy weekends people flock to the market making it spill out into nearby streets, extending the boundaries of the markets in all directions as people’s ideas of accepted behaviour shift to allow them to perch on the side of the road eating over priced hamburgers. Not only does the market swell and shrink with the number of users, but they all come to a ‘different’ market. Those in the late 90s came to signify their own newly created category; that of a ‘foodie’. But by 2005 the market’s popularity and regular appearances on television filled the market with new weekend chefs who consume more lifestyle and expensive fast foods, than knowledge and rare European delicacies. Recently, those ‘real’ foodies have now had to leave to retain a sense of the ‘elite’ nature of their status. Alongside this new wave came the tourists seeking the ‘authentic’ London Market, one which is so clearly imagined (Anderson 1991). This complex image of a place will help us to ground the abstract notions discussed below.

Marco Antonsich paper sets out to improve understanding of the nature of the relationship between the individual Self and that of place by combining the disciplines of Humanistic Geography and Environmental Psychology towards reconsidering whether place and the Self “should be seen as [just] a product of social discourses” (Antonsich 2009:129). At the key position of Antonsich’s paper we see him argue against recent research that has put the emphasis back on social categories of identity (sex, gender, class, age etc) and away from the postmodern cultural materialism that has struggled with its own paradigmatic puzzles. Antonsich, as a criticism of the de-humanistic approaches to much of geography, wishes to place the individual subject, their intimate link to the physical locality (and the social formation) of place, back into the centre of the study. His work concentrates on tracking areas on “contestation, oppression, resistance empowerment and collective identification” (Ibid.:121). By doing so he does not need to qualify complex, and inherently abstract, social categories and instead can understand the relationship through the interplay of meaning between self identified ‘places’ (local, regional, national, European) and the subjects own sense of self. This focus on interplay keeps the subject and the place at the centre of the theoretical focus whilst facilitating empirical research. Although Antonsich provides little in the way of research methodology we know that his work crosses four European nations to capture a variety, though confessed not representative, selection of respondents where Antonsich conducted focus groups and semi-structured interviews with “local elites” (Ibid.:124). There is clearly inherent bias in the sample here as the data collected would be from people comfortable presenting themselves and talking on topics regarding power relations with place. Also, there is no depth to these conversations, which is concerning when you consider that Antonsich is after intimacy in his data. The paper should have provided more detailed information as to how the topics of ‘place’ and ‘individual’ self were approached in the focus groups and interviews as this would have greatly affected the conversation that followed. These simple issues question Antonsich’s data, and obviously his results, although they still prove descriptive as we shall see later. A word more should also be said of Antonsich’s methods. Although such empirical analysis is long overdue on this subject, simple focus groups of elite individuals should not be taken for granted. Instead a more place sensitive sociology could be devised around a more visual medium, one that could encompass a more grass roots connect with the society whilst producing data for both qualitative and quantitative analysis (c.f. Gieryn 2000). Additionally, to understand how the discursive nature of this relationship changes over time, it appears important to attempt a methodology that would encompass this process. A systematic collection of Oral Histories, with narrative analysis, may also highlight a changing nature of the relationship with place, whilst focused on the impact that was having the Self in question.

At the centre of Antonsich’s paper he presents a theoretical framework on the “ways in which place intervenes in the construction of the self” (Ibid.:124). Interestingly, although presented before the empirical data collected, he is not presenting a model that he has then tested. Rather, he sees the framework as one born from the analysis of the research alone. The framework consists of two major categories of place: personal (those related to the unique web of relations to the individual) and social (those that cannot be reduced down to the individuals own history alone). By understanding these two separate, yet discursive categories of place, Antonsich draws us a diagram on the process of identification. Through this he explores the construction of place as “discursively activated” (Ibid.:127) so that place is formed through the interrelations of ‘home’, ‘social identity’ and ‘personal identity’. Below I have recreated the diagram from the paper so that we may explore this framework.

Figure 1: Adapted from Antonsich 2009:125

The first thing to note when understanding the process that Antonsich lays out, is that the diagram is in two distinct sections; A and B (indicated above). The first section is based on his abstract categories of the personal and social, both a part of the meaning of place, but not apparently informing it. He places them as subcategories of place. In contrast, section B is characterised by its discursive nature. Each category is in a reflexive relationship with its neighbouring parts so that they are all constructed by each other. Later Antonsich argues that “however socially responsive or even socially created the Self might be, an individual, private dimension, remains” (Ibid,:127). This appears contradictory with his framework that appears to place the personal identity as a category defined by its relation to other categories. This is highlighted further when he argues that place can be “discursively activated” (Ibid.), so that the social-spatial category becomes the identifier of place. What is clear here is that Antonsich sees the framework as a hierarchical construction where ‘meaning of place’ is formed through the interplay of the subcategories. It is exactly here that we can see how a discursive nature of construction, one that informs and is informed by its neighbouring categories.

Let us use section B of Antonsich’s diagram and return to the example of Borough Market to see how discursive relationship helps us to understand a place-identity construction. Assuming one type of visitor, a ‘tourist’, enters the market: This individual, indicated by the ‘personal identity’ category above, intervenes in the construction in two ways; it signifies the authentic to the tourist and reinforces a sense of ‘home-city’ to those who live nearby. But the tourist is also constructed through this interplay with the market too, becoming ‘experienced’ of an authentic London market. Additionally, the tourist authenticates the market as a tourist attraction (re-enforcing as an identifier to other tourists), but reduces the markets ‘capital’ as an elite lifestyle market for the foodies. We see from this that as one person, one Self, intervenes in the process of place-identity construction, they are both constructing and being constructed themselves in an ongoing, fluid process. Although we see this process as discursive, Antonsich says that a personal dimension remains separate, whilst also saying that the personal and social identities do not relate to some essential quality attached to the individual (Ibid.:128). What we have left is an understanding of the structure of the process of identity construction that works through a series of inter-relations of categories that are both mutually dependant and self constructing. This makes the construction of identity a fluid process rather than a series of discreet actions.

As Antonsich clearly describes, geographers have gone to quite some lengths to understand and describe the “unique relation between self and place” (Antonsich 2009:121). To further explore this notion this paper will now turn to three key thinkers on the subject: Doreen Massey’s constellation of relations; Joane Nagel’s understanding of ethnicity construction and Edward S. Casey’s seminal anthropological text on the embodied nature of place.

Whilst discussing David Harvey’s postmodern argument that place is fixed in the construction of space. Massey highlights; ”[...]localities, as I see them, are not just about physical buildings, nor even about capital, they are about the intersection of social activities and social relations and, crucially, activities and relations which are necessarily, by definition, dynamic, changing.” (Massey 1994:136). This is a very clear position to start from. Massey rejects all notion of a stable or fixed concept of place, and by extension, of place-identity. Rather, Massey states that “[...p]laces can be conceptualised processes” (Ibid.:137) and what is interesting here is how Massey places the individual within this process by understanding it as being ‘conceptualised’, as an interpretation of a phenomenon, there must be a ‘self’ conceiving the concept itself. Rather than this being a simple logic of socialisation, Massey is placing the very nature of the embodied self at the centre of her idea. (An idea explored further later.)

“What gives place its specificity is not some long internalised history, but the fact that it is constructed out of a particular constellation of social relations, meeting and weaving together at a particular locus” (Massey 1994:154)

Massey uses the term constellation of relations to describe place in terms of a ‘power-geometry’ (Massey in Bird et.al 1993:61). What she is describing is a shifting notion of place, one that is both multiple and structured. Contrary to John May’s view (1996) that her progressive sense of place does not provide a suitable framework to explain these relations, she uses a very similar example as May to demonstrate her views: that of Kilburn High Road. This is a multicultural area that holds many identities for people at many times, unknowable by viable boundaries and linked through history to a very real global sense of place. Yet this place still maintains a distinct ‘sense of place’ throughout its changing history. After this we have a definition of place that is constructed out of a complex set of relations (as above), articulated together at a particular locality (Ibid.). To understand how this fluid nature of construction would work on a more traditional social category, let us take a quick look at the 1994 paper by Joane Nagel. In critiquing the idea of the inevitability of ethnic and cultural assimilation in the ‘melting pot’ of U.S society, Nagel describes ethnicity as a category that is in constant flux.

“Ethnic identity, then, is a result of a dialectical process involving internal and external opinions and processes, as well as the individual’s self-identification and the outsiders’ ethnic designations-i.e., what you think your ethnicity is, versus what they think your ethnicity is.” (Nagel 1994:154)

We can see from above that, for Nagel, such processes are mutually constitutive, an interaction played out with a social setting. Nagel demonstrates her position through numerous examples, such as the development of Afro-American ethnicity being defined largely by its powerful history, would be to deny the current political, social and economic processes that are part of the complex process of construction (Ibid.:153). Nagel provides detailed examples of such construction processes from ethnic ‘fraud’ to the effect of immigration on both domestic and foreign population, and the cultural construction of Imagined Communities with the work of Benedict Anderson (1991). Throughout the paper it is clear that there is “a model of ethnicity that stresses fluid, situational, volitional, and dynamic character of ethnic identification” (Nagel 1994:152). What is importantly to this paper is one of the few questions unasked by Nagel; where are such constructions played out? Or, more interestingly; what is the role of places in such constructions? From this we can see that in understanding the role of place in such constructions of identity we may gain insight into how identity, and as part of that ethnicity, is constructed. Further, and of interest to Nagel and the political issues regarding ethnicity, how can the construction of place be beneficial to the sustainability of communities? But this is a question for another paper.

Arguing against the architects of the world, for whom place is merely something constructed out of space, Edward S. Casey (1996) uses a phenomenological approach to put ‘place’ first. Rather than considering places as mere compartmentalisations of space, place is the particular in which space is defined around. What does this say for the construction of place? It is the embodied ‘being-in-place’ that helps us to understand the perception of the individual and hence their role in the social construction of place. Casey states that “there is no knowing or sensing a place except by being in that place, and to be in that place is to be in a position to perceive it” (Casey in Feld and Basso 1996:18). Here then, much like Massey above, he is placing the life experience of the individual at the centre of what it means to be in place. So that in experiencing, or even simpler, to be in a place, is to live, is to know the places where you live (Ibid.). Casey is then placing knowledge of the self, ones being, in ‘place’ so that locality comes before knowledge. But, as the phenomenological tradition teaches us, and Casey repeats, this is not a mutely passive condition, rather it “is to be actively passive; absorptive yet constitutive, both at once” (Ibid.). This relationship of place and identity provides an ontological specificity of place for the individual whist also being part of a never-ending dialogue of fluid construction.

By understanding the body’s involvement in place, Casey is exploring what it means for a body not only to be in place by what it means to stay in place, move within a place and move between places. Throughout his exploration of terms Casey is making a distinct and important point; that the lived-body is essential for the construction of place that “they interanimate each other” (Ibid.:24). For him, places gather life, histories and meaning and in doing so articulate the self in a constant process. Yet through this Casey prefers to call place an “event rather than a thing” (Ibid.26), and in this way they happen, they occur in space and time. A happening is a singular moment in time, one that will happen and then fade allowing another event to occur. This is a more discreet, exchange, nature of place-identity than we have been exploring so far but is reminiscent of Massey’s ‘constellations of meaning’, these are perceptual links between points and a shift in perception would cause a shift in meaning, or identity. Over time, these discreet interchanges, constantly occurring, would appear to be a flow of interaction between people and places.

Above we have seen that, contrary to Antonsich, Humanistic Geographers have no problem with placing the individual within the construction of place. Rather the very embodied Self is the key to its formation. But what of the internal, intimate nature of the self is in this construction?

“Both self and self-identity are structures which are ever changing during the entire lifecycle, not just during the formative years.” (Proshansky 1983:59)

This short sentence from Harold M. Proshansky (et. al) provides us an excellent entry into this area. Proshansky, before moving onto his topic of place-identity, wishes to remind us that the Self is a thing constantly forming yet retaining a distinct structure. He places the constant variability of self-identity at the heart of problems regarding geographic mobility and neighbourhood deterioration (Ibid.) and he clearly understands how changing aspects of a singular ‘place-identity’ has distinct ramifications on the Self. That said Proshansky places place-identity fully within the mind of the individual (as we would expect from a psychologist) as a ‘‘a sub-structure of the self-identity of the person” (Ibid.). Here then, not missed by Antonsich, is the idea that although the individual should be returned to the understanding of place-identity one must be careful not to insert an immutable concept where one does not exist. In other words, in trying to understand the relationship between the Self and place, one must not assume that either are discreet concepts. What Proshansky’s work does is provide us with an understanding of how ‘place-identity’ is perceived in the mind of the individual. This sub-structure is problematic and not tackled by Antonsich. What it does is produce two ‘place-identities’; one within the mind of the individual (Proshansky’s) and one as a geographical expression (e.g. Casey’s). At first this appears an irreconcilable issue with our notion of Self and Place identity construction being a fluid relational process but with the work of Casey, and his phenomenological approach (above), we can understand the body as being the mediator in what would have otherwise have been a difficult (mind-place) dualism. Interestingly, Proshansky finds the phenomenological descriptions of place identity by some theorists rather limiting (Ibid.:61), but when used as a method of understanding ones embodied relationship with place, not only when in difficult (‘homelessness’, for example) but also in a more habitual embodying sense of construction it can clearly be a useful tool.

Let us now ground this abstract discussion with an example to describe the process: a transactional event of place/self-identity construction as an individual passes through Borough Market. A self proclaimed ‘foodie’ discovers Borough Market many years ago. They find the sense of the ‘hidden London’ combined with the reinforcement of their own interest in elite foods to be supportive to their ego. After some time without a visit, they are reminded of the market and decide to go back. Even before arriving, a notion of the market’s identity is formed in their mind and the process of reinforcement begins. On arrival they find much has changed. The market’s once discreet little stalls offering tempting bites to pull in the buyers have transformed into to lunchtime (organic) burgers stalls. The population is now full of ‘suits’ consuming lifestyle lunches, to those out of town visitors on a day trip. There are many more people than they remember, and their favourite stalls are well visited by people suspected of not being a ‘real’ foodie. Our foodie buys their selection quickly and they leave for home. On reflection the market has become a place for the tourists and the weekend cookers. Her favourite little coffee shop is now visited my hundreds and is far from little. The market has changed and she decides instead to visit a different market on the other side of town. Apparently they have very good (expensive) olives there. This foodie’s idea of the market is distinctly changed and the very nature of the change in the market and her opinion of it are reflected in how she viewed the market before. No longer for the elite, but now common and not for her. The place is still reinforcing the identity, and will continue to do so in anecdotal tales of yesteryear, but not in the way they expected. The market’s loss of her visiting purse is comparably smaller. If it was ever a market for the elite foodies to obtain their foods, then that time has passed, in part, with the loss of this individual. Both the self and the place identity remain distinct, yet both are changed.

This paper has argued that place-identity construction is best understood as being a fluid process, one that is in a state of constant flux changing in relation to internal and external relations. We have seen that Marco Antonsich is concerned that such notions of place are dehumanising and argues that an intimate sense of the Self, one separate from, or at least not constantly a part of, a social moment should be retained. Antonsich uses theories from Environmental Psychology and his own, limited yet descriptive, empirical research to explore this towards re-introducing the notion of the intimate self with place-identity construction. One that remains separate from all social events. Yet we have seen, through Nagel, that such an aspect of the Self, one immutable and unchanging, is not present. Rather the Self is formed, as society and places are, through interactions. Additionally, as we have demonstrated above, work by academics such as Massey, Nagel and Casey, and Proshanksy, all agree on a fluid construction of place, one mediated through the embodied experience of the self, and in relation to, society. All aspects of the self are part of this inter-connectiveness that facilitates identity construction. This by no means that an intimate aspect of the self is lost, rather it’s very distinctiveness remains unique in its particular set of relations, understandable through time and articulated through place. The self, in this respect, becomes a “verb rather that a noun” (Antonsich 2010:126), and this is exactly like Casey’s place that ‘happens’. These “personal moments of place” (Ibid.) that are described by Antonsich’s respondents are also connected intimately with place as are the public, or social, aspects of the self. This structured pattern of relations, that Antonsich provides us a rather neat graphic for, highlights an important aspect of the nature of the relationship between people and place; that the individual and the place are being constructed simultaneously through interaction with each other, and at the same time an inherent singular sense of the individual and of the place is formed through that relation. It is this nature, this reflexive construction that makes place-identity construction so fluid.

It has been said to rely on an ontological rather than a discursive notion of place” (Antonsich 2010:123)

Interestingly, this comment highlights what Antonsich really misses by bringing these two different disciplines together; that whilst humanistic geography can provide us with structures and literature on the ontology of place, it’s very character or being, Environmental Psychology can provide an understanding of the discursive nature of place-identity, in that it is an ongoing and fluid process. By understanding the dynamic and subjective nature of place and identity, whilst accepting the sense of being that place provides to the subject, we may begin to understand how place-identity is a fluid and dynamic concept one that is both ontological (providing a ‘sense-of-place’) and discursive (changing in response to its environment) at the same time.


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[1] This paper will use both ‘self’ and ‘Self’ to indicate a singular person in the first and in the latter to the larger concept of a ‘consciousness’ or individual identity. Also, ‘place’ and ‘place-identity’ are used to denote the physical location and the nature or character of the place in the second.

[2] I beg your indulgence - Although this might at first appear a lengthy example, the various changes in the markets history and structure are both essential elements for it to act as a suitable illustration.